representation, transculturation, counterconquest Zamora, Lois Parkinson Kaup, Monika text Durham, England Duke University Press 2010 1a.Ed monographic eng

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xvi, 671 paginas ilustraciones Contents; Illustrations; Acknowledgments; Lois Parkinson Zamora and Monika Kaup, ""Baroque, New World Baroque, Neobaroque: Categories and Concepts""; Part One: Representation: Foundational Essays on Baroque Aethetics and Ideology; The European Baroque; Editors' Note to Chapter One; 1. Friedrich Nietzsche, ""On the Baroque"" (1878); Editors' Note to Chapter Two; 2. Heinrich Wölfflin, Excerpt from the Introduction to ""Principles of Art History: The Problem of the Development of Style in Later Art"" (1915); Editors' Note to Chapter Three 3. Walter Benjamin, Excerpts from ""The Origin of German Tragic Drama"" (1928)Editors' Note to Chapter Four; 4. Eugenio d'Ors, Excerpts from ""The Debate on the Baroque in Pontigny"" (1935); Editors' Note to Chapter Five; 5. René Wellek, Excerpts from ""The Concept of Baroque in Literary Scholarship"" (1945, rev. 1962); Editors' Note to Chapter Six; 6. Mario Praz, ""Baroque in England"" (1960); Editors' Note to Chapter Seven; 7. Christine Buci-Glucksmann, Chapter 2 from ""La folie du voir"", ""The Work of the Gaze"" (1986); The New World Baroque and the NeoBaroque Editors' Note to Chapter Eight8. Alfonso Reyes, Excerpt from ""Savoring Góngora"" (1928); Editors' Note to Chapter Nine; 9. Ángel Guido, Chapter 1 from ""Redescubrimienta de América en el arte, 'America's Relation to Europe in the Arts'"" (1936); Editors' Note to Chapter Ten; 10. Pedro Henríquez Ureña, ""The Baroque in America"" (1940); Editors' Note to Chapter Eleven; 11. José Lezama Lima, Chapter 2 from ""La expresión americana"", 'Baroque Curiosity' (1957); Editors' Note to Chapter Twelve and Thirteen; 12. Alejo Carpentier, ""The City of Columns"" (1964) 13. Alejo Carpentier, Excerpt from ""Questions Concerning the Contemporary Latin American Novel"" (1964)Editors' Note to Chapter Fourteen and Fifteen; 14. Severo Sarduy, ""The Baroque and the Neobaroque"" (1972); 15. Severo Sarduy, Chapter 3 from ""Barroco"", ""Baroque Cosmology: Kepler"" (1974); Editors' Note to Chapter Sixteen; 16. Haroldo de Campos, ""The Rule of Anthropophagy: Europe under the Sign of Devoration"" (1981); Part Two: Transculturation: Colonial Practice; 17. Jorge Ruedas de la Serna, ""Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels"" 18. José Pascual Buxó, ""Sor Juana and Luis de Góngora: The Poetics of 'Imitatio'"" (2006)19. Timothy J. Reiss, ""American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama""; 20. William Childers, ""Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal""; 21. Dorothy Z. Baker, ""Baroque Self-Fashioning in Seventeenth-Century New France""; 22. Leo Cabranes-Grant, ""The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities""; Part Three: Counterconquest: Postcolonial Positions 23. Gonzalo Celorio, Chapter 2 from ""Ensayo de contraconquista"", ""From the Baroque to the Neobaroque"" (2001) edited by Lois Parkinson Zamora and Monika Kaup. Incluye referencias bibliográficas e índices Artes, Barroco América Latina Arte, Latinoamericano Literatura latinoamericana Fusión cultural y las artes 9780822346302 9780822346425 CO-BoUCM 251203 20251203085356.0