Writing tools 50 essential strategies for every writer Roy Peter Clark
Idioma: Inglés Detalles de publicación: New York (Estados Unidos) Little, Brown, and Company 2006Descripción: ix, 260 páginasISBN:- 9780316014984
- 0316014982
- fifty essential strategies for every writer
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Libro
|
Claustro 2do piso | Libro | 808.042 C592wr (Navegar estantería(Abre debajo)) | Ej.1 | Disponible | 100148335 |
Navegando Claustro estanterías,Ubicación en estantería: 2do piso Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
| 808.042 B261f From critical thinking to argument a portable guide | 808.042 B261f From critical thinking to argument a portable guide | 808.042 C336a The art of persuasion how to write effectively about almost anything | 808.042 C592wr Writing tools | 808.042 E374w Writing without teachers | 808.042 F157r Arhetoric of argument a text and reader | 808.042 H152a Assessing students' written work marking essays and reports |
Incluye índice
Nuts and bolts: Begin sentences with subjects and verbs ; Order words for emphasis ; Activate your verbs ; Be passive-aggressive ; Watch those adverbs ; Take it easy on the -ings ; Fear not the long sentence ; Establish a pattern, then give it a twist ; Let punctuation control pace and space ; Cut big, then small -- Special effects: Prefer the simple over the technical ; Give key words their space ; Play with words, even in serious stories ; Get the name of the dog ; Pay attention to names ; Seek original images ; Riff on the creative language of others ; Set the pace with sentence length ; Vary the lengths of paragraphs ; Choose the number of elements with a purpose in mind ; Know when to back off and when to show off ; Climb up and down the ladder of abstraction ; Tune your voice -- Blueprints: Work from a plan ; Learn the difference between reports and stories ; Use dialogue as a form of action ; Reveal traits of character ; Put odd and interesting things next to each other ; Foreshadow dramatic events and powerful conclusions ; To generate suspense, use internal cliffhangers ; Build your work around a key question ; Place gold coins along the path ; Repeat, repeat, and repeat ; Write from different cinematic angles ; Report and write for scenes ; Mix narrative modes ; In short works, don't waste a syllable ; Prefer archetypes to stereotypes ; Write toward an ending -- Useful habits: Draft a mission statement for your work ; Turn procrastination into rehearsal ; Do your homework well in advance ; Read for both form and content ; Save string ; Break long projects into parts ; Take an interest in all crafts that support your work ; Recruit your own support group ; Limit self-criticism in early drafts ; Learn from your critics ; Own the tools of your craft.
"For students, aspiring novelists, and writers of memos, emails, PowerPoint presentations, and more come 50 indispensable, memorable, and usable tools from the vice president and senior scholar at the Poynter Institute"--BOOK JACKET.